Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Comments: Booklet has a small cut on front.
Notes:
With a 78 page book in a hardback case.
Track notes –
Track 1-1 – Warner Bros. singles #WB-7431 (9/16/70) & #WRS-49841 (9/23/81).
Track 1-2 – Warner Bros. single #WB-7431 (9/16/70).
Tracks 1-1 & 1-2 from the album “Little Feat”. Warner Bros. #WS-1890. Recorded & mixed at United/Western Recorders, Hollywood, CA; Record Plant, Los Angeles, CA.
Track 1-3 – Warner Bros. singles #WB-7553 (1/5/72) & #WBS-49801 (8/5/81).
Track 1-8 – Warner Bros. single #WB-7553 (1/5/72).
Track 1-9 – Warner Bros. single #WBS-8420 (8/17/77).
Tracks 1-3 to 1-9 from the album “Sailin’ Shoes”. Warner Bros. #BS-2600 (2/72). Recorded & mixed at Warner Bros. Recording Studios (Amigo), North Hollywood, CA; Sunset Sound Recorders, Hollywood, CA; T.T.G./Sunset-Highland Recording Studios, Hollywood, CA; Sunwest Recording Studios, Hollywood, CA.
Track 1-10 -Warner Bros. single #WB-7689 (3/73).
Tracks 1-10 to 1-14 from the album “Dixie Chicken”. Warner Bros. #BS-2686 (1/25/73). Recorded & mixed at Clover Recorders, Hollywood, CA; Warner Bros. Recording Studios (Amigo), North Hollywood, CA; Sunset Sound Recorders, Hollywood, CA.
Track 1-15 – Warner Bros. single #WBS-8091 (3/26/75).
Track 1-17 – Warner Bros. single #WBS-8054 (11/6/74).
Tracks 1-15 to 1-19 from the album “Feats Don’t Fail Me Now”. Warner Bros. #BS-2784 (8/9/74). Recorded & mixed at Blue Seas Recording Studio, Hunt Valley, MD; The Sound Factory, Hollywood, CA; Warner Bros. Recording Studios (Amigo), North Hollywood, CA; Sunset Sound Recorders, Hollywood, CA.
Track 1-21 – Warner Bros. single #WBS-8219 (5/26/76).
Track 1-22 – Warner Bros. single #WBS-8174 (1/21/76).
Tracks 1-20 to 1-23 from the album “The Last Record Album”. Warner Bros. #BS-2884 (10/17/75). Recorded & mixed at The Sound Factory, Hollywood, CA.
Track 2-2 – Warner Bros. single #WBS-8420 (8/3/77).
Tracks 2-1 to 2-5 from the album “Time Loves A Hero”. Warner Bros. #BS-3015 (4/15/77). Recorded & mixed at Sunset Sound Recorders, Hollywood, CA; Warner Bros. Recording Studios (Amigo), North Hollywood, CA; Western Recorders, Hollywood, CA; Record Plant, Sausalito, CA.
Tracks 2-6 to 2-9 from the album “Waiting For Columbus”. Warner Bros. #2BS-3140 (2/10/78). Recorded at The Rainbow Theatre, London, England (w/ Manor Truck); Lisner Auditorium, Washington, D.C. Mixed & refurbished at Sunset Sound Recorders, Hollywood, CA; Westlake Audio, Los Angeles, CA.
Track 2-10 from the Lowell George album “Thanks I’ll Eat It Here”. Warner Bros. #BSK-3194 (3/23/79). Also included on the album “As Time Goes By: The Very Best Of Little Feat”. Warner Bros. (Ger) #32247 (8/93). Recorded & mixed at Sunset Sound Recorders, Hollywood, CA (10/21/77).
Tracks 2-11 & 2-12 from the album “Down On The Farm”. Warner Bros. #HS-3345 (11/14/79). Produced by Lowell George with a little help from his friends. Recorded at The Paramount Ranch, Agoura Hills, CA (w/ Wally Heider Mobile); Lowell’s house, Topanga Canyon, CA (w/ Wally Heider Mobile); Wally Heider Recording, Hollywood, CA. Mixed at Wally Heider Recording, Hollywood, CA.
Track 2-13 – an edited version was issued as Warner Bros. single #WBS-49841 (9/23/81).
Track 2-15 – an edit of the version included on the album “Down On The Farm” was issued as Warner Bros. singles #WBS-49169 (1/23/80) & #WBS-49801 (8/5/81).
Tracks 2-13 to 2-17 from the album “Hoy-Hoy!”. Warner Bros. #2BSK-3538 (7/29/81). “Gringo” recorded at The Complex, West Los Angeles, CA (2/81); “Lonesome Whistle” & “Front Page News” recorded at Blue Seas Recording Studio, Hunt Valley, MD (1974); “The Fan” recorded live at Ultrasonic Recording Studios, Hempstead, NY – for WLIR (9/14/74); “Red Stremaliner” recorded live at Lisner Auditorium, Washington, D.C. (8/8/77). Mixed at The Complex, West Los Angeles, CA (12/80-3/81).
Track 2-18 – previously unissued. Producer(s) & Engineer(s) unknown. Recorded & mixed at Winterland Ballroom, San Francisco, CA (2/14/76).
Track 3-1 – Warner Bros. single #27728 (9/16/88).
Tracks 3-1 to 3-3 from the album “Let It Roll”. Warner Bros. #25750 (8/2/88). Recorded & mixed at The Complex, West Los Angeles, CA.
Tracks 3-4 to 3-7 from the album “Representing The Mambo”. Warner Bros. #26163 (4/10/90). Recorded at The Skywalker Ranch, Marin County, CA; Ocean Way Recording, Hollywood, CA; The Hit Factory, New York, NY. Mixed at The Complex, West Los Angeles, CA.
Track 3-8 – Morgan Creek single #0005 (9/3/91).
Track 3-9 – Morgan Creek single #0007 (10/29/91).
Tracks 3-8 & 3-9 from the album “Shake Me Up”. Morgan Creek #20005 (9/24/91). Recorded at Conway Recording Studios, Hollywood, CA; Castle Oaks Studios, Calabasas, CA. Mixed at Conway Recording Studios, Hollywood, CA.
Track 3-10 – Zoo/BMG single #14220 (4/95).
Tracks 3-10 to 3-12 from the album “Ain’t Had Enough Fun”. Zoo/BMG #11097 (4/25/95). Recorded at Ocean Way Recording, Hollywood, CA; Groovemasters, Santa Monica, CA. Mixed at Brooklyn Recording Studio, Los Angeles, CA.
Track 3-13 – from the album “Live From Neon Park”. Zoo/BMG #11129 (6/18/96). Recorded live at Roseland Theater, Portland, OR; Fillmore Auditorium, San Francisco, CA; The House Of Blues, Los Angeles, CA (12/12/95-12/20/95). Mixed at Brooklyn Recording Studio, Los Angeles, CA.
Track 3-14 – CMC Int’l/BMG single #87277 (6/98).
Tracks 3-14 to 3-16 from the album “Under The Radar”. CMC Int’l/BMG #86253 (6/16/98). Recorded at Yohoyville Studios East, Woodland Hills, CA; Yohoyville Studios West, Calabasas, CA; Westlake Studios, Hollywood, CA. Mixed at Each Hit Studios, Los Angeles, CA.
Track 4-1 – first issued on the Lowell George & The Hit Factory album “Lightning-Rod Man”. Bizarre/Straight #71563 (11/2/93). Engineer(s) unknown. Recorded & mixed at Original Sound Studios, Hollywood, CA (late 1966).
Track 4-2 – pre-Warner recording.
Track 4-3 – pre-Warner recording.
Track 4-4 – pre-Warner recording.
Tracks 4-2 to 4-4 first issued on the Lowell George & The Hit Factory album “Lightning-Rod Man”. Bizarre/Straight #71563 (11/2/93). Engineer(s) unknown. Recorded & mixed at T.T.G./Sunset-Highland Recording Studios, Hollywood, CA (7/22/69).
Track 4-5 – recorded & mixed at The Village Recorder, West Los Angeles, CA (10/31/69).
Track 4-6 – from the sessions for “Little Feat”. Recorded at United/Western Recorders, Hollywood, CA (4/21/70).
Tracks 4-7 & 4-8 from the sessions for “Little Feat”.
“Doglines” recorded & mixed at United/Western Recorders, Hollywood, CA (7/15/70-8/31/70); “Wait Till The Shit Hits The Fan” recorded at United/Western Recorders, Hollywood, CA (8/7/70-10/16/70).
Track 4-9 & 4-10 – demo for Doobie Bros.
Tracks 4-9 & 4-10 recorded & mixed at United/Western Recorders, Hollywood, CA (2/5/71).
Tracks 4-11 & 4-12 – from sessions for “Sailin’ Shoes”.
Tracks 4-11 & 4-12 recorded at Sunwest Recording Studios, Hollywood, CA (4/7/71-4/14/71).
Track 4-13 – Lowell demo.
Track 4-14 – from sessions for “Sailin’ Shoes”.
Tracks 4-13 & 4-14 recorded at Warner Bros. Recording Studios (Amigo), North Hollywood, CA (12/8/71-2/6/72).
Tracks 4-15 & 4-16 – from sessions for “Dixie Chicken”.
“Ace In The Hole” recorded & mixed at Clover Recorders, Hollywood, CA (10/21/72-12/4/72); “Eldorado Slim” recorded at Clover Recorders, Hollywood, CA (11/22/72).
Tracks 4-17 & 4-18 – from sessions for “Feats Don’t Fail Me Now”.
“Feats Don’t Fail Me Now” is believed to be from the same sessions that produced “Spanish Moon” & “Brickyard Blues”. Mixed later by Ron Pendragon; “Brickyard Blues” recorded at The Sound Factory, Hollywood, CA (1/25/74-3/30/74).
Track 4-19 – from sessions for “Feats Don’t Fail Me Now”.
Recorded & mixed at Blue Seas Recording Studio, Hunt Valley, MD (6/74).
Tracks 4-20 & 4-21 – Lowell demo.
Tracks 4-20 & 4-21 recorded at Lowell’s house, Topanga Canyon, CA (late 1974/early 1975).
Tracks 4-22 & 4-23 – from sessions for “The Last Record Album”.
Tracks 4-22 & 4-23 recorded at The Sound Factory, Hollywood, CA (6/19/75-7/31/75). “High Roller” mixed at The Sound Factory, Hollywood, CA.
Track 4-24 – from sessions for “Thanks I’ll Eat It Here”.
Recorded at Sunset Sound Recorders, Hollywood, CA (10/26/76-11/9/76). Mixed later by Ron Pendragon.
Track 4-25 – “PZM” Pressure Mic demo.
Recorded & mixed at The Paramount Ranch, Agoura Hills, CA (w/ Wally Heider Mobile) (1/79).
Note: All selections on Discs 1-3 are full-length alum versions, except where indicated otherwise. Song titles on Disc 4 are represented (for the most part) as they were on the original tape boxes.
Mixes required for selections on Disc 4 (tracks 6, 8, 11-14, 16, 18, 22, 24): mixed at Capitol Studios, Hollywood, CA (4/00).
Remastering at Digiprep, Hollywood, CA.
Design & illustration at Rip Bang Pictures.
All selections ℗ 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1981, 1988, 1990 & 2000 Warner Bros. Records Inc., except:
“Shake Me Up” and “Things Happen” ℗ 1991 Morgan Creek Music Group, licensed from Morgan Creek Music Group.
“Borderline Blues”, “Cadillac Hotel”, and “Ain’t Had Enough Fun” ℗ 1995 Zoo Entertainment; “Can’t Be Satisfied/They’re Red Hot (Hot Tamales)” ℗ 1996 Zoo Entertainment, licensed from Zomba Recording Corp.
“Home Ground”, “The Blues Don’t Tell It All”, and “Eden’s Wall” ℗ 1998 CMC International Records, licensed from CMC International Records.
“Lightning-Rod Man”, “Crack In Your Door”, “Teenage Nervous Breakdown”, and “Juliet” ℗ 1993 Bizarre/Straight Records, licensed from Rug Music Inc.
This compilation ℗ & © 2000 Warner Bros. Records Inc. & Rhino Entertainment Company.
Made in Germany by Warner Music Manufacturing Europe.
Track List:
